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Art of Asia
Course: Art of Asia > Unit 2
Lesson 3: Shang dynasty (c. 1600–1050 B.C.E.)- Shang dynasty (c. 1600–1050 B.C.E.), an introduction
- Introduction to the Shang dynasty
- Oracle Bone, Shang Dynasty
- Shang dynasty ritual bronze vessels
- Ritual vessel in the shape of a rhinoceros
- Horse decoration in the form of a taotie mask
- Tigers, dragons, and, monsters on a Shang Dynasty Ewer
- Lidded ritual ewer
- War and Sacrifice: The Tomb of Fu Hao
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Oracle Bone, Shang Dynasty
Oracle Bone, Shang Dynasty, Reign of Zu Geng, c. 1191-1181 B.C.E. (Shanghai Museum, China)
Speakers: Dr. Kristen Chiem and Dr. Beth Harris.
Want to join the conversation?
- now is feel like that oracle lady in avatar the last airbender is based off of the shang dynasty(3 votes)
- how big where the bones(1 vote)
- The bones themselves were animal scapulae (shoulder blades) at turtle plastrons (shells) They could have been like small pages.(1 vote)
- What particular Chinese characters were written on this bone?(1 vote)
- I looked at : http://www.omniglot.com/chinese/jiaguwen.htm and found this: The texts contain over 30,000 distinct characters, which are thought to be variant forms of around 4,000 individual characters, and scholars believe that they can understand between 1,500 and 2,000 of these characters. There may be 5,000 or so individual characters used on the Oracle Bones, not including variant forms, and possibly twice as many were used in everyday life." The article includes a chart of some characters (probably less than 50), so the first task is to identify the characters on the bone in the picture, then compare each to something on the chart. That's beyond my ability at this point. Maybe the person we both need is a graduate student with time on her hands.(1 vote)
- Why are videos not decoded? M.M(1 vote)
Video transcript
(soft piano music) - [Narrator] We're in the Shanghai Museum, and we're looking at a
very early Oracle Bone. And this is so important
because this brings us to the very beginnings of
writing in ancient China. - [Narrator] The Oracle
Bone is on an ox scapula, so it's actually the shoulder blade here that you can see carved
little tiny characters from the right to the
left, all in little lines. - [Narrator] And those
characters are still, many of them, recognizable
as Chinese characters today. - [Narrator] Yeah, about
40% of them, actually are decipherable, and we
have tons of these remaining. We have about 200,000 of them. - [Narrator] We're not
really used to the idea in the west that we could read writing that's more than 3,000 years old. - [Narrator] And, of course,
this is really important, because you can read history through it. When we have a group of
these objects together, we can look back and
see how things evolved on this particular year, what
kinds of concerns people had. - [Narrator] It's an Oracle Bone, so we know that it something
that could divine the future, that could help people understand what the future might bring. - [Narrator] They would get these bones, they would inscribe the questions on them, and then a diviner would come
and use a particular ritual that involved a heated rod, a metal rod, that they would touch to the bone, and the way that the cracks would evolve on the questions would divine the future. - [Narrator] So the cracks
would be read by someone who had a kind of special power. - [Narrator] The questions
were all directed toward somebody named Shangdi, the deified ancestor of
the Shang royal cult. And we're talking about the Shang Dynasty, this is in the cradle of civilization, the Yellow River Valley, the capital. And the kinds of questions
that people would ask would involve everything from the very mundane to ritualistic things. When should a sacrifice be performed, a particular rite of worship. This one we're looking
at, a question about the bumper harvest, when to be planting. - [Narrator] And, ancestor worship was incredibly important
during the Shang Dynasty, and that's something that will change with the next dynasty, the Zhou Dynasty. - [Narrator] Now, when
we get into the Zhou, we see a different concept of the divine. - [Narrator] So, Shangdi
was the particular ancestor/god of the Shang Dynasty. - Exactly, royalty.
- And it makes sense with the - next dynasty--
- Exactly (drowned out). - you'd have to adjust that.
- You'd have to adjust. - [Narrator] So, we see these on, especially on scapula of oxen, but also other animal bones,
and also tortoise shell. - [Narrator] Tortoise shell
is another favorite medium, probably also as tortoise
was an important mythological creature from very early times. But, here, you can see that
the medium itself is very flat, it's a good surface to carve into. And, when we're looking
at these kinds of things, keep in mind that this is what we have. We have bones, these
stood the test of time, but that doesn't mean that there wasn't also writing on other things. - [Narrator] And the
writing that we're seeing, we know that Chinese
characters stand for words, but, perhaps, at this time in history, the signs that we're seeing
are more pictographic-- - Yeah, they've been--
- until it evolved. - [Narrator] Yeah, they've
been slowly decoded and, actually, art historians have spent quite a bit of time
trying to decipher this, enough so that we can read them, but, at this point, writing
is a functional medium. It's to communicate, in
this example, with the gods. Eventually, it evolves into calligraphy, which becomes this art form. - [Narrator] And, so, the
importance of Chinese writing here in this very early moment. - [Narrator] A lot of major developments in Chinese society right, we've got centralized power as a
major theme coming out of the writing, the idea
that people can communicate and organize, and this idea
of creating a history here. - [Narrator] And, so
lucky that we can at least untangle 40% of it, - Yeah, 40%.
- of these thousands of bones that survive. - Exactly.
- And, one day, we'll understand even more of them. - [Narrator] Even more of them, exactly. (piano music)