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Course: Medieval Europe + Byzantine > Unit 5
Lesson 2: Early Byzantine (including Iconoclasm)- Byzantine Iconoclasm and the Triumph of Orthodoxy
- The origins of Byzantine architecture
- Early Byzantine architecture after Constantine
- Woman with Scroll, An Early Byzantine Sculpture at the Metropolitan Museum of Art
- Byzantine Mosaic of a Personification, Ktisis
- Innovative architecture in the age of Justinian
- SS. Sergius and Bacchus, preserved as the mosque, Küçük Ayasofya
- Hagia Sophia, Istanbul
- Hagia Sophia, Istanbul
- Mosaics and power in Sant’Apollinare Nuovo
- Sant'Apollinare in Classe, Ravenna
- San Vitale, Ravenna
- Justinian Mosaic, San Vitale
- San Vitale (quiz)
- Empress Theodora, rhetoric, and Byzantine primary sources
- Art and architecture of Saint Catherine’s Monastery at Mount Sinai
- Ivory panel with Archangel
- The Emperor Triumphant (Barberini Ivory)
- The Vienna Dioscurides
- Virgin (Theotokos) and Child between Saints Theodore and George
- Virgin (Theotokos) and Child between Saints Theodore and George
- A chalice from the Attarouthi Treasure
- Byzantine architecture during Iconoclasm
- The Byzantine Fieschi Morgan cross reliquary
- Cross-cultural artistic interaction in the Early Byzantine period
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Mosaics and power in Sant’Apollinare Nuovo
Sant'Apollinare Nuovo, built c. 500, renovated 560s, Ravenna, Italy. A conversation with Dr. Steven Zucker and Dr. Beth Harris. Created by Beth Harris, Smarthistory, and Steven Zucker.
Video transcript
(jazzy piano music) - [Steven] We're in
Sant'Apollinare Nuovo in Ravenna. And we believe that this is where the Ostrogoth king Theodoric worshiped. In fact, his palace was next door. - [Beth] These were foreigners. They were not Romans,
but in the fifth century they occupied Italy and
Ravenna was their capital. - [Steven] The goths were Arian and the emperor in
Constantinople was Orthodox. And so we have this church as evidence of these two different beliefs
and their confrontation. When the church was
first built by Theodoric to be his palace chapel,
the name was different. This was a church that
was actually dedicated to Christ the redeemer. - [Beth] The church began
its life as an Arian church, but then when Justinian the
emperor in Constantinople sent his general to get
rid of the goth king and to take this back
for the Orthodox faith, he rededicated this church and many of the mosaics
were changed at that point to reflect Orthodox beliefs and to erase what was felt
to reflect Arian beliefs. Unlike perhaps the most
famous church in Ravenne, San Vitale, which is a central plan, Sant'Apollinare Nuovo is a Basilica plan. And when we looked down the
nave, we see fabulous mosaics. - [Steven] In fact, this
is one of only two churches in the world that retain
its nave wall decorations. The other one is in Rome,
Santa Maria Maggiore. On the West side of the church we see the palace of Theodoric and this is the palace
that would have been right next to this church. We don't know how accurate
a depiction it is. And then across from that, we can see the port city of Classe, which
is just south of Ravenna. In the Southeast corner, you have Christ on a throne surrounded by four angels and opposite that is another
mosaic representing Christ, this time as a child on his mother's lap, also surrounded by four angels. - [Beth] The precessional
figures that we see down the center of the nave, on one side male, on
the other side female, replaced the mosaics created
during the time of Theodoric. So some art historians conjecture that what was here that had to be replaced specifically had to do with Arianism, which was now heretical, or perhaps with Theodoric and his family. We just don't know. On one side female
figures, virgin martyrs, emerge from that port city
of Classe at the west end and make their way led by the three magi toward the Virgin Mary
and the Christ child surrounded by four angels. - [Steven] Their outfits are spectacular. There's tremendous detail in
the pattern of these textiles. - [Beth] The female virgin martyrs that we see all carry crowns. They each have halos around their heads. And although there is that green landscape that they're standing in with flowers and palm trees between
them, there is no sky. There's that flat gold background that is typically Byzantine in style. - [Steven] On the south wall
a long line of male martyrs parallel the female
martyrs on the other side. They're also holding crowns, which they'll be offering to Christ. And at the front of the
line is Saint Martin, to whom this church was rededicated after the Ostrogoths were vanquished. There's another frieze of large figures that are interrupted by the windows on the side of the church. These figures hold books and scrolls. They may well be saints. They may well be profits. We're not sure who they are. Above that are smaller
scenes of the life of Christ. - [Beth] The mosaic that we see furthest towards the east end of the
church, furthest toward the apse where the Eucharist would be performed, is a scene of the Last Supper. We see Christ with his 12 Apostles. And this would be the moment
when Christ announced, one of you will betray me, but he also would have said, here's the bread, this is my body. Here is the wine, this is
my blood, and remember me. This is the institution of
that sacrament of the Eucharist that would have happened here
at the east end of the church. We're used to seeing the Last Supper, because we're familiar with
Leonardo's Last Supper, but this is so different in how the artist represented the story. - [Steven] Well, this is a thousand years earlier than Leonardo. And what we see are
figures that are seated around a table that are
almost lying on their sides, the way that the ancient
Romans used to dine. We see on the table, two large fish, loaves of bread, and the
largest figure, Christ, dressed in imperial purple. - [Beth] And he's larger
than everybody else because he is more important. And so you can see this
Byzantine medieval way of representing in a symbolic way, but in a way that's legible and clear, so that anyone here would have known and been able to identify the story. - [Steven] Just imagine
the scene for a moment. The Ostrogoth king,
Theodoric, has taken Italy. He's made Ravenna his capital. He's built a fabulous palace. He's built this extraordinary church and here he would pray, here
he would take Communion. And just to the right
up at the highest level we have a mosaic that shows the institution of that very act. (jazzy piano music)