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Prehistoric art
Course: Prehistoric art > Unit 2
Lesson 3: Neolithic sites- Jericho
- Çatalhöyük
- Newgrange, a prehistoric tomb in Ireland
- Stonehenge
- Stonehenge, Avebury and Associated Sites (UNESCO/NHK)
- Nuragic architecture at Su Nuraxi Barumini, Sardinia
- Running horned woman, Tassili n’Ajjer
- Rock-Art Sites of Tadrart Acacus (UNESCO/NHK)
- Rock-art sites of Tadrart Acacus: backstory
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Newgrange, a prehistoric tomb in Ireland
Newgrange, c. 3200 B.C.E., Brú na Bóinne, County Meath, Ireland
A conversation with Dr. Lauren Kilroy-Ewbank and Dr. Steven Zucker at Knowth and Newgrange. Created by Smarthistory.
Video transcript
(gentle music) - [Steven] We're in the
Boyne Valley in Ireland. This area is home to one
of the largest collections of neolithic and
megalithic art and culture that exists anywhere in the world. - [Lauren] We've just left Newgrange, part of the Bru na Boinne complex and while Newgrange is not
the largest of the tombs that we just visited, it is one that you can still go inside of. - [Steven] And you enter along an axis that is, like Stonehenge, built later, aligned with the winter solstice, which is to say the day of the year when the day is shortest. - [Lauren] And Newgrange was built sometime around 3,200 BCE, but it took a while to build. By some estimates, it took more
than 70 years to construct. - [Steven] In order to enter the tomb, you walk around two stones, one that is vertical and
one that is horizontal that has been carved with
a triple spiral motif. And on the winter solstice, the shadow cast by the standing stone is drawn across the horizontal stone and it's behind these stones that one can enter into
the tomb structure itself. There is a long, low passage. I had to duck and you have to squeeze between enormous stones
that are set upright to get into the center of the structure. - [Lauren] There are several nodes. It creates a cruciform or a cross shape, and in each of those small chambers, there are enormous basin stones. And in the rightmost chamber,
you have elaborate decoration on the surface of the ceiling. - [Steven] And in the
center cruciform space, there is a higher ceiling
and this is held up by a corbel arch, that is, by large stones that extend further and
further towards the center as they move upward and that are held in
place by counterweights, that is, by the mass
of loose stone and soil that exists above that. - [Lauren] And it was made without mortar which is remarkable considering
not a single drop of water has made it inside this passage tomb. We are in Ireland where
it rains all the time. Part of the reason for that is
that above the passage tomb, we have a great amount of earth and loose stones that were
packed on top to protect the tomb but also to make it
rise up from the earth. - [Steven] But it's not
just modern day visitors that enter into this tomb. On the winter solstice, the
sun is so perfectly aligned that a beam of light
enters above the doorway through a secondary window into the tomb and makes it along the floor
just to the backmost chamber. - [Lauren] For 17 minutes
on the winter solstice, that light is visible and prominent inside that passage tomb. - [Steven] These are so old that there are no written records. We can only look at the
physical evidence that exists and try to understand how these were used. - [Lauren] The remains
of five people were found inside the tomb, three that were cremated, and two that had been left alone. And so we know that this
was used as a burial place. But given the immense
amount of of time and energy and effort to construct these tombs, archeologists and art historians
and others have wondered if maybe there were other uses for this because of that solar alignment. - [Steven] There are three
distinct types of stone that make up these tombs. There is a black granite, which comes from a distant mountain range. There's bright white quartz stone and then there were very
large limestone kerbs. - [Lauren] When this tomb was excavated and put back together, because
part of it had fallen apart, they found many of these
white quartz stones and black granite at the exterior. The people who built Newgrange
clearly had an interest in the color differences of those stones. And it creates this interesting contrast that sets off the entrance. - [Steven] We're surrounded
by more neolithic carving that exists anywhere
else in Western Europe and there's a perfusion of different kinds of relief carvings on these
large limestone kerb stones. There are chevrons, that is, zigzags, spirals, two triple spirals,
and archeologists suspect that they had more specific meaning. We just don't know what
those meanings are. - [Lauren] What we do know
is that these massive stones, many of them decorated, lined the base of the tomb all
the way around the exterior, which means that people
had to locate the stones from far away, bring them here, most likely via the Boyne River. They had to then place
them around the tomb and then they had to carve. - [Steven] But we need to be cautious because these tombs have
been used and occupied and they have been entered
over and over again for a very long time. In the 20th century, there have been efforts to
shore up these structures and to conserve them, but that intervention is evident and can be seen most obviously
in the concrete shelf That helps protect the carved kerb stones that surround the structures. - [Lauren] And that's
most evident at Knowth where you see not only that
lip that you mentioned, but you can see evidence of structures that were built on top of the mound. These places, even if people
were unaware of what was inside of these large mounds, they continue to be where people were engaging with this land. (gentle music)