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Course: Europe 1300 - 1800 > Unit 4
Lesson 8: Mannerism- Mannerism, an introduction
- Pontormo, The Entombment of Christ
- Pontormo, The Entombment of Christ
- Parmigianino, Madonna of the Long Neck
- Parmigianino, Self-Portrait in a Convex Mirror
- Rosso Fiorentino, the Dead Christ with Angels
- Bronzino, An Allegory with Venus and Cupid
- Bronzino, Portrait of Eleonora of Toledo with her son Giovanni
- Bronzino, Portrait of Eleonora of Toledo with her son Giovanni
- Bronzino and the Mannerist Portrait
- A chapel for Eleonora di Toledo, Duchess of Florence
- Sofonisba Anguissola
- Sofonisba Anguissola, Infanta Catalina Micaela with a Marmoset
- Benvenuto Cellini, Salt Cellar
- Cellini, Perseus
- Giambologna, Abduction of a Sabine Woman
- Mannerism
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Bronzino, Portrait of Eleonora of Toledo with her son Giovanni
Bronzino, Portrait of Eleonora di Toledo with her son Giovanni, 1544-1545, oil on panel, 115 x 96 cm (Galleria degli Uffizi). Created by Beth Harris and Steven Zucker.
Want to join the conversation?
- At1:04, you can see the boy's gaze up close. It seems the eyes are slightly divergents. Is this, like the "lazy eye" of the portrait at0:36, some kind of mannerist trick?(5 votes)
- A lot of portraits seem to have strange or lazy looking eyes, they are hard to paint I would probably say it was deliberate too.(2 votes)
- So can Mannerism be summarized by saying that artists were bored with the Renaissance and intentionally copied art instead of nature as a way to do something new?(3 votes)
- I feel it would probably be fairer to say they were looking to be innovative, to be free from old constraints, and to surpass what came before them, not just do something different.(4 votes)
- This is perhaps the single best example I have yet viewed via Khan academy of textures... The faces aren't bad, but the textures are truly composed of bravura brushwork....(4 votes)
- Is there a name for that specific pattern made by the brocade? Is it just a simplified arabesque, or (in accordance with my wikipedia instincts) a moresque pattern? A bit random, but I saw that exact swirl pattern on a letter opener I used today.(2 votes)
- How do art historians know this is a painting about fertility? Is it possible that the painter was simply commissioned to paint the lady and her son, and just decided to make them look idealized and healthy to flatter his customer?(2 votes)
- Is the painting officially titled 'with her son Giovanni'? apparently there is some debate about which son that is.(1 vote)
- This is the title used by the Galleria degli Uffizi. See it here in the Google Art Project: http://www.google.com/culturalinstitute/asset-viewer/portrait-of-eleonora-di-toledo-with-her-son-giovanni/QAEccCsLDtbB4A?projectId=art-project(2 votes)
Video transcript
(piano playing) Dr. Zucker: We'ere in the Uffizi and
we're looking at Eleonora of Toledo. It's a painting by Bronzino, one of the
leading portraits of the Mannerist period. Dr. Harris: He painted many
portraits for the Medici family, this one for Cosimo de Medici and this one
of Cosimo's wife and their 2 year old son. Dr. Zucker: This is a painting that is,
I think, a little surprising in some ways because we're used to seeing
intimacy between mother and child, and you would expect that in
a family portrait, but this
is such a cold painting. Dr. Harris: Although, that aloofness
and distance is something that we
often see in Mannerist painting. Dr. Zucker: Very much prized, that
was very much the attempt here. It's also because this woman
comes from the Spanish Court. The strictness of Spanish protocol
was important to her and she
was apparently influential, in terms of imposing that courtly manner
in the Court of Medici here in Italy. Dr. Harris: This is a painting
very much about the Medici Dynasty and assuring the future of that
Dynasty through their son, shown
here and through Elanora, the mother. Dr. Zucker: How do we know
that she is of the court? There's no specific reference to their
power except through their wealth. Look at the size of the jewels,
look at the brocade in that gown. Look at the way in which the satin or
the taffeta underneath is so reflective, but then you have that heavy brocade
that's been applied on top of it. It encases her body,
almost imprisoning her. Dr. Harris: Bronzino is a master
at painting those textures and even the light reflecting on each of
the pearls and the jewels that she wears, not only around her neck but also around
her waist and the gold glistening their. But above all there's that
aristocratic aloofness and a
real detachment and coldness. I almost feel her looking down at me. Dr. Zucker: She is elevated
in a number of different ways, not only, of course, is she central and
she fills the frame almost completely, but Bronzino has lightened the
blue of the background right
around the back of her head, almost a subtle halo. In addition he's created blemishless
skin that is almost no longer elastic, commentators have called
it alabaster like. Both mother and son are
perfect, but they're almost
shells, they're almost masks. There is a kind of absence
of an internal spark and a kind of attentiveness that we
had come to expect in the Renaissance, but, of course, again, this is Mannerist
and the Mannerist's love to play fast and loose with all of those
traditions from the Renaissance
and especially naturalism. (piano playing)