- Rock-art sites of Tadrart Acacus: backstory
- Warka Vase
- The Great Pyramids of Giza
- Thutmose, Bust of Nefertiti: backstory
- Cuneiform tablets: backstory
- Lamassu from the citadel of Sargon II
- Capitoline Brutus: backstory
- Temple of Portunus
- Nasca Geoglyphs
- The Paracas Textile
- Bamiyan Buddhas
- Mogao caves at Dunhuang
- Saint Trophime, Arles
- Machu Picchu
- Aztec feathered headdress: backstory
- The Last Supper
- The Taj Mahal
- Great Mosque of Djenné
- Benin Plaque: Equestrian Oba and Attendants
- Wagner, Postal Savings Bank
by Dr. Naraelle Hohensee
In 2009, the refurbished Neues Museum in Berlin celebrated its reopening, with the bust of Nefertiti prominently displayed as one of its main attractions. The celebration coincided with one of the Egyptian government’s repeated pleas for the official return of the bust to Egypt. The museum has staunchly refused to give up the sculpture, asserting that the bust was acquired legally by the German archaeologist Ludwig Borchardt in 1912. Borchardt had excavated it along with several other objects from the studio of the ancient Egyptian sculptor Thutmose, and had brought his finds to Germany as part of an agreement with the Egyptian Antiquities Service. While there is no proof that Borchardt’s dealings were explicitly illegal, as early as 1925, the Egyptian government began to take issue with Germany’s possession of valuable antiquities by imposing sanctions, and the bust has been the source of tension between the two nations ever since.
This controversy relates to a general growing public awareness about the —and politics—of antiquities held in European and American museums. In 2016, Nora al-Badri and Jan Nikolai Nelles, two artists from Germany, made a bold statement about these issues by staging an event they called “NefertitiHack.” They secretly mapped the sculpture using a consumer-grade 3-D scanning device, and then released the data openly under a Creative Commons license. The artists’ intention was “to inspire a critical reassessment of today’s conditions and to overcome the colonial notion of possession in Germany,” according to their website.
Many groups have advocated for using digitally-produced replicas either as stand-ins for objects that are returned to their places of origin, or vice versa—as ways of offering highly accurate replicas in place of the originals. The sharing of data between institutions and groups who lay claim to objects has also been suggested as a way to ease tensions over restitution. Nelles and al-Badri’s project is a critical statement about the growing questions around repatriation and public access to objects via 3-D models and other data, as the Neues Museum does not allow photography or publicly share its own 3-D model of the bust.
Nora al-Badri, one of the artists behind NefertitiHack, stated:
“The head of Nefertiti represents all the other millions of stolen and looted artifacts all over the world currently happening, for example, in Syria, Iraq, and in Egypt…Archaeological artifacts as a cultural memory originate for the most part from the Global South; however, a vast number of important objects can be found in Western museums and private collections. We should face the fact that the colonial structures continue to exist today and still produce their inherent symbolic struggles.”
Over a century after it was excavated, the bust of Nefertiti remains a flashpoint for institutions and the public, driving us to consider the ways in which objects and their data are acquired, displayed, and shared.
Want to join the conversation?
- How did Ludwig Borchardt take the bust to Germany? Like, what did he package it with, and how did he export it?(3 votes)
- He likely shipped or carried it in a crate, suitably padded and treated with the best of care available in 1912. He exported it legally, as the article states: "Borchardt had excavated it along with several other objects from the studio of the ancient Egyptian sculptor Thutmose, and had brought his finds to Germany as part of an agreement with the Egyptian Antiquities Service." That it was legal, however, doesn't mean it was right.(3 votes)
- If then tomb and her body weren't found, where did they find the mask?(2 votes)
- From the author:We explain that in the video: https://www.khanacademy.org/humanities/ancient-art-civilizations/egypt-art/new-kingdom/v/thutmose-bust-of-nefertiti-c-1340-bce(3 votes)