- Seeing Through Photographs
- Before Photography - Photographic Processes Series - Chapter 1 of 12
- The Daguerreotype - Photographic Processes Series - Chapter 2 of 12
- Talbot's Processes - Photographic Processes Series - Chapter 3 of 12
- The Collodion - Photographic Processes Series - Chapter 5 of 12
- The Albumen Print - Photographic Processes Series - Chapter 6 of 12
- The Platinum Print - Photographic Processes Series - Chapter 7 of 12
- The Pigment Processes - Photographic Processes Series - Chapter 8 of 12
- The Woodburytype - Photographic Processes Series - Chapter 9 of 12
- The Gelatin Silver Process - Photographic Processes Series - Chapter 10 of 12
- An Introduction to Photography in the Early 20th Century
- Color Photography - Photographic Processes Series - Chapter 11 of 12
- Digital Photography - Photographic Processes Series - Chapter 12 of 12
Gelatin silver photography revolutionized the art, making it accessible to all. This English invention combined bromide and silver in one solution, simplifying the process. The Kodak camera, introduced in 1888, made photography even easier. Gelatin silver was key to black and white, color, and motion picture photography, dominating the 20th century.
With gelatin silver materials you start to get manufactured photographic paper, manufactured film. Once it became cheap and ubiquitous it changed our relationship to photography fundamentally. Everybody not only had been the subject of a photograph but had made photographs themselves. In the middle of the 19th century nearly all processes that involved the use of silver nitrate were made in a two step process. Having a one step process would be infinitely easier. And so, unlike say the wet collodion process where you pour the collodion onto the plate and it has a bromide and then you take that plate and dip it into silver nitrate. Emulsion photography puts the bromide and the silver into the same solution. It was a combination of experiments done by several different people but for the most part it’s an English invention. Gelatin emulsions are made by taking gelatin like the Jello you buy in the store today and you put the gelatin into a container of water. The gelatin is allowed to swell. The swollen gelatin is melted. you then pour in the bromide pour in the silver nitrate and stir the solution. So now you have silver bromide in hot gelatin. This is an emulsion. Now in the early 1880’s most of the gelatin dry plates the glass plates were coated by pouring the hot gelatin onto a hot glass plate. Very much in a way that a collodion plate would be coated by hand. Once you have a dry plate now you don’t have to take a dark room into the field. You don’t have to develop the plate before it dries. You can take a package of plates, and you can go on a trip expose the plates and then weeks later come back to the comfort of your own dark room and develop the plate and that’s an important discovery. The same emulsion was applied to paper. These are examples of gelatin silver prints. The gelatin silver print was first introduced in the late 1800’s The gelatin silver print is a developing out process rather than a printing out process. Printing out is when light strikes an object and you actually see it visibly change. Developing out, on the other hand, is a latent image and what that means is that you just need a little bit of light exposing this material but you don’t see a visible change until you put that material into another chemical which brings out the invisible image. You would start with a much smaller negative than with a contact printing method. So at the beginning of photography a negative has to be the same size as the print you want to make and that’s because they’re contact printed. The negative is actually touching the paper that becomes the final print. As photography progresses we become able to enlarge a negative. You can put it into an enlarger and make a bigger print It’s no longer contact printed. In 1888 George Eastman came out with the Kodak camera You no longer had to be a professional and know the chemistry you could actually do it yourself. It sounds really simple, you know, just send it to us you press the button, we do the rest and suddenly invents an entire new industry. This is the oldest known Kodak camera. It’s called the Kodak. It’s serial number 6, meaning it was the 6th one made. After all 100 exposures have been made, the camera would be shipped back to Rochester for processing and reloading Shutter release was on the side <click> Still works, not bad for a camera made in 1888. Because the camera was smaller and easy to carry now People took their cameras everywhere. It opened up a field of photography for the general public. For anyone to capture all the different moments of their life. The basic aesthetic of a gelatin silver print is a smooth surface because the gelatin sits on top of the paper, and the gelatin is what holds the image material in it. As opposed to the salted paper print where the image material was sinking into the fibers of the paper. The gelatin silver process was the dominant photographic process of the 20th century. The vast majority of the analog photographs that we are familiar with were made with this process. The clarity and sharpness of the black and white gelatin silver print became the norm for photojounalism. It was the standard way that information from far away was produced and sent to be published in newspapers and magazines. The process became forever linked with the documentary style of photography that was established by photographers like Lewis Hine, and FSA photographers such as Dorothea Lange and Walker Evans. Silver gelatin allows you to make black and white images. It is responsible for all the movies you have ever seen, that is all silver gelatin. When George Eastman came out with the Kodak they started making flexible transparent film about 1889. Once you have a flexible medium, motion pictures becomes possible. Gelatin silver is also responsible for color photography. During development the silver releases dye and during fixing you get rid of the silver but the dyes remain. All of the color photographs you have ever made everything in the 20th century that was color had silver and gelatin in that emulsion, and that is really what is becoming obsolete by the digital process. The shift from analog to digital photography has been going on a long time. 2004 was the high water mark for film production. After 2004 you really start to see the sales of digital cameras taking over film cameras. I teach public workshops in photographic processes here at George Eastman House We just recently declared that silver gelatin emulsion is a historic process. So now we are teaching people how to make dry plates and photographic paper from scratch.