Course: The Metropolitan Museum of Art > Unit 1
Lesson 12: Transformations- Nawa, PixCell-Deer#24
- Calder, Mobile
- Mascarade à la Grecque; Suite des Vases; and [Cheminées], designed by Petitot
- Van Orley and de Pannemaker, The Last Supper
- Oeben, Mechanical table
- Statue of Dionysos leaning on a female figure (“Hope Dionysos”)
Oeben, Mechanical table
Met curator Daniëlle Kisluk-Grosheide on identity in Jean-François Oeben’s Mechanical table, c. 1761–63.
Long recognized as one of Jean-François Oeben's masterpieces, this table (ca. 1761–63) was made for his frequent and most important client, Madame de Pompadour. The main charge of her coat of arms, a tower, appears at the top of the gilt-bronze mount at each corner. The marquetry of the top—one of the finest panels in all of Oeben's furniture—was designed to reflect her interests in the arts and depicts a vase of flowers as well as trophies emblematic of architecture, painting, music, and gardening. The table, completed after Oeben's death by his brother-in-law Roger Vandercruse, demonstrates Oeben's talents, not only as a creator of beautiful furniture but also as a mechanic: an elaborate mechanism allows the top to slide back at the same time as the larger drawer moves forward, thereby doubling the surface area.
View this work on metmuseum.org.
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