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Course: The Museum of Modern Art > Unit 1
Lesson 7: Performance Art- Maria Hassabi | PLASTIC
- Yvonne Rainer: "The Concept of Dust, or How do you look when there's nothing left to move?"
- Jannis Kounellis, "Da inventare sul posto (To invent on the spot)"
- Marina Abramović
- Marina Abramović: What is performance art?
- Marina Abramović: Marina's first performance
- Marina Abramović: The Body as medium
- Marina Abramović: Documenting performance
- Marina Abramović: Teaching the next generation
- Marina Abramović: "Cleaning the House" workshop
- Marina Abramović: Performance vs. acting
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Yvonne Rainer: "The Concept of Dust, or How do you look when there's nothing left to move?"
Pioneering choreographer Yvonne Rainer discusses her ongoing work-in-progress “The Concept of Dust, or How do you look when there's nothing left to move?” on the eve of the work's East Coast premiere at MoMA. Learn more: http://bit.ly/1eAdmP1.
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Video transcript
Dance is very different
from other practices in that it disappears the instant that you see
a given movement, it’s gone. And so it exists in the memory. I came to New York
to study acting and I was no good at that. They said, “We don’t believe you.” And my first dance class,
it took. I didn’t know how limited my physical resources were. I didn’t have
a conventional dancer’s body. If I had known, or recognized that
I might not have gone on. But the pleasure of moving
was so great that it overcame any reservations
I might have had. That title of the piece
is “The Concept of Dust, or How Do You Look When
There’s Nothing Left To Move?” It was performed
at the Getty in LA a year ago. And it was called “A Work in Progress”. I didn’t feel it had coalesced and there was still material
I was working on. But I feel it’s ready to go now.